Better call saul all black and white scenes

Ever since Better Call Saul began airing inthe series has regularly featured scenes that take place in black and white.

Shadows and darkness feel more imposing in black and white. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. Better Call Saul is a captivating tale of questionable morality.

Better call saul all black and white scenes

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Ozymandias in Breaking Bad. After Walter White is revealed to be Heisenberg and the DEA starts coming after him, Saul is compromised and forced to abandon his life in Albuquerque. He becomes Gene, a Cinnabon manager in Omaha, and hopes to live a peaceful life and avoid the authorities. Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well. Skip to content Category: Guides. Fast times at the Cinnabon in Omaha. Zhiqing Wan. Published: Jul 13, am. Recommended Videos. Twinfinite is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission.

Once Saul is caught and confined to a holding cell, we see more of the imposing black and white framing. The tragedy of Kim and Jimmy's relationship was that they were too similar to each other, and brought out their respective worst traits.

The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. The post- Breaking Bad timeline sees Jimmy live a quiet life as a humble Cinnabon manager, but it's clear that Saul Goodman is still in there, desperate to get out. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white.

This week marked the end of an era, as Better Call Saul signed off after six seasons, effectively closing the book on the Breaking Bad universe in the process. The final few episodes took place mostly during the post- BB timeline, where Saul Goodman was going by the alias Gene Takavic. The installments were notably presented in black and white though, interestingly, there were a handful of colorized moments. Now, series co-creator Peter Gould has shed some light on the meaning of those sweet, artistic flourishes. In the more recent episodes, there were a few other instances in which color popped in. His nostalgia for Saul, not for Jimmy. I wanted to make sure everyone was watching the wonderful performances by Bob and Rhea and not getting distracted by technical artifice. Each use of color is a little bit different. It just felt right.

Better call saul all black and white scenes

Here is what you need to know about it. He is now known as Gene Takavic, a balding, paranoid manager of a Cinnabon Branch located in a shopping mall in Omaha, Nebraska. When a customer seems to stare in his direction, Gene becomes fearful that he has been recognized. However, this turns out to be a false alarm. After reaching home — a dreary and modest apartment — Gene sits in the dark and watches the VHS tapes of the Saul Goodman ads, which are in color. When the series goes back in time and begins telling the tale of how Jimmy McGill became Saul Goodman, they are in color as well. The dichotomy of colors denotes the stark difference in circumstances between Gene and both Jimmy and Saul. He also had Kim. As for Saul, he was the man that Jimmy became when he traded his humanity for success. In contrast, Gene feels miserable and stifled by his circumstances.

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In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. Here we see Saul being boxed in by the black rectangles created by film noir style black and white lighting. It's a tragic moment, as Jimmy is clearly nostalgic for when he was Saul Goodman, a somebody, rather than Gene Takavic, a Nebraskan nobody. When we revisit Kim for reaction shots, her body language is noticeably tense, and the framing suggests a classic crime drama, one in which Kim is playing the part of the worrying mother about to see her son hanged for his crimes. He becomes Gene, a Cinnabon manager in Omaha, and hopes to live a peaceful life and avoid the authorities. Learn more. However, this has left Better Call Saul fans with questions, with many asking exactly why the series makes use of black and white scenes. Saul sees the proceedings as a game that he is poised to win and relishes in the opportunity to rub the prosecution's nose in the fact that he could easily get away scot-free should he so choose. Image via AMC. In a stunning courtroom turnabout, Saul sacrifices his chance at a lighter sentence by confessing his crimes, as well as his sins, before the court and most importantly Kim, whom he hopes will find him still worthy of compassion. Therefore, the color in the flame is an affirmation of the bittersweet Better Call Saul ending - that in accepting his fate, Jimmy proved to himself that he's worthy of the McGill name. This is all a skillful mislead, setting the stage for the third act of Saul Goodman's magic trick, the prestige. When Jimmy joins Kim for a cigarette in the caged sunbeam, light meets dark in a final moment together. Director Peter Gould 's use of black and white to draw the viewer's eye and aid in the framing of his shots is spectacular. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before.

Do be warned that this article contains spoilers for the ending of Breaking Bad.

US TV. His words damn him in the eyes of the law, but provide Saul, now Jimmy again, with a bit of emotional catharsis. The walk-in wardrobe of garish shirts, the golden toilet, the mirrored ceiling, and swimming pool are a lifetime away for Jimmy now. The slow camera movement and meaningful glances set to music are reminiscent of the Coen Brothers , themselves no stranger to black and white or references to classic noir. Here we see some dramatic light lines that reference classic noir detective films and perhaps even morality plays. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. Saul leaves the light and submerges himself in dim shadows when he pounds the door and demands another phone call. This causes him to laugh, and the camera pulls back while he cackles, twin diagonal lines of shadow to his left and right growing, signaling his decision to fall back on his manipulative ways to save himself rather than accepting his punishment. They seem to shine most brightly over Kim herself, Jimmy's last chance at hope, humanity, or compassion. Then the whirring of a helicopter overhead quickens Saul's pace, sending him toward a dimly lit tunnel. The brashness of Saul Goodman's voice, and the color of the commercial is an intrusion into Jimmy's quiet life hiding from justice, and it signals the end of the line for him. Fast times at the Cinnabon in Omaha. As she was a new character for the prequel and is absent from Breaking Bad, fans have long pondered her fate. Do be warned that this article contains spoilers for the ending of Breaking Bad.