Daisy hoppen

Our newly single British heroine, who runs her own fashion Daisy hoppen company, has just moved to a flat overlooking Highbury Fields in north London when the pandemic strikes. Every morning at 7.

My father collects stuffed animals: we had a full-scale crocodile in the hallway, and love birds in a giant cage; our cat would sleep on top of it. We also had things like old fairground memorabilia, a jukebox, big velvet sofas and large Moroccan rugs. It was eclectic but very beautiful. Growing up, there were lots of forward-thinking photographs on the walls. But the art and photography at home were always changing because he would often buy things and then sell them on. But Vincent has brought me round to the idea of clean spaces.

Daisy hoppen

With a sense of confusion, a designer asks themselves the question: do I need a PR? The answer, more often than not, is a series of questions. What for? Why now? Having grown up in South London, daughter of the renowned photography gallerist Michael Hoppen, she studied at the University at Leeds before immersing herself in the world of PR, first for a jeweller, then at Purple PR, followed by Karla Otto. Meanwhile, she worked for a few clients solo, including Dover Street Market. Today, her agency represents a varied roster including Molly Goddard, Simone Rocha, Rejina Pyo, and Ganni among others across fashion, skincare, and furniture. Taking a more boutique approach to PR after working for a company with over 80 clients and offices in over 10 cities worldwide, Hoppen is the perfect person to ask about the slightly mysterious realm of fashion. Daisy Hoppen: We are very lucky that we have worked with a lot of brands since day one of their business. I am always looking for new talent, but it does not have to be from day one. I think we are always looking for somebody that is unique, who has their own visual point of view, who has their own community of people around them — an authentic group of creatives and stylists. Working with a brand, you kind of see them grow their own individual language. Doing nothing copycat and having manners is very important to me. When young designers think that they need a PR straightaway, I tell them to think how they can best use their money.

Nerves were mounting as daisy hoppen caught a vintage cream taxi to the registry office at Islington Town Hall with her father, but the wedding immediately before theirs appeared to have been equine-themed and consequently put her at ease. We decided not to put the TV in there, because we work at screens all day, daisy hoppen.

DH-PR work with a global network of Talent, Influencers, Industry Figures, Creative and Editors spanning a range of projects including seeding, red carpet dressing, and event attendance. We plan each project with a bespoke approach, tailored to the needs of individual clients, through curated strategies and creative networks. Values Statement To always be kind, conscious and inclusive. Mission Statement To strive to always better ourselves and the industry we contribute to, and apply a bespoke and considered approach to all that we do. We commit to an inclusive and representative mix of participants without our projects and to being an equal opportunity employer. We recognise that we have a responsibility to the environment beyond legal and regulatory requirements. We are committed to reducing our environmental impact and continually improving our environmental performance as an integral part of our business strategy and operating methods.

The larger institutions always have blockbuster shows on for summer — do book now for the long-anticipated Cindy Sherman solo exhibition at the National Portrait Gallery, as well as Lee Krasner: Living Colour at the Barbican. Founded by Katy Hessel, The Great Women Artists presents a show with Victoria Miro featuring three young female artists who rethink traditional genres to touch upon themes of migration, women in the workplace and the gendered language of painting. Finally, Flora Yukhnovich , who is also based in London and reimagines the dynamism of the Rococo world and 18th-century artists through large-scale paintings. Having started as an Instagram account originally, thegreatwomenartists celebrates female artists, ranging from recent graduates to Old Masters. Wolfgang Tillmans at Maureen Paley: until July The London gallery presents a new show by her longtime collaborator, artist and photographer Wolfgang Tillmans. For this series, Bark transformed his small, blank-walled garage in upstate New York into an unlikely theatre for scenes created through the dense layering of iconographic references to the art of the past. Small Island : from June I love going to my local Picturehouse cinema to watch the ballet or theatre with the comfort of being able to drink wine and eat popcorn.

Daisy hoppen

Agenda-setting intelligence, analysis and advice for the global fashion community. This London Fashion Week, British musician Skepta relaunched his fashion label, Mains, with a buzzy tennis-themed catwalk presentation where Stormzy, Louis Theroux and Naomi Campbell all sat front row. With DH-PR, Hoppen has built an agency that has long represented key creatives from the London fashion scene — from Harris Reed and Simone Rocha to Molly Goddard and Rejina Pyo — and beyond, known for its personal touch with clients and garnering cachet beyond the realms of luxury fashion. To be sure, the business is small. Hoppen is now navigating a market that is more competitive than ever. Within the fashion communications space, the largest firms continue to get bigger and bigger , among a quest to become full-service, global powerhouses. That consolidation is only making it harder for the remaining independent agencies to compete. After studying mediaeval European history at Leeds University, Hoppen landed a job working for small South London-based jewellery designer Sam Ubhi in the mid-aughts before spending nearly a decade at mainstay fashion PR agencies Purple and Karla Otto.

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The pie, incidentally, was delicious bordering on lethal: one Vogue editor had to have a lie-down after over-indulging. How do you, as a young designer, stand out? Native Share. Interviews — May Oliver connected me with a company called One and Maike that creates bespoke solutions for things like this. Just make sure you are telling the story in your way of speaking so that your narrative is really authentic to you. What do people want to buy? Things happen, I understand. Then you work out your strategy. You really have to make it work for you. Having a bath is a real ritual of mine. Interviews — Oct By Vogue. I did about seven loads of washing the day before because I felt so anxious.

All products on this page have been selected by our editorial team, however we may make commission on some products. For spring, it will be perfect over a mini dress. They are new to the brand and simply stunning.

O: How important is the personality of the designer? That is something I have really thought about in the last few years in a big way. Follow Contact. You really have to make it work for you. We always say that you need two stores to begin with and maybe three stylists. Firstly, get the business into a good place. O: How important are influencers? There were giant industrial off-cream tiles downstairs, which made the whole place feel cold. Think about what press you feel comfortable with. Today, her agency represents a varied roster including Molly Goddard, Simone Rocha, Rejina Pyo, and Ganni among others across fashion, skincare, and furniture. Quite often they ask how they can make this up. DH-PR work with a global network of Talent, Influencers, Industry Figures, Creative and Editors spanning a range of projects including seeding, red carpet dressing, and event attendance. That is the biggest problem.