Design ni dukan

Design ni Dukaan, led by Principal Designer and Architect Veeram Shah, has launched five exclusive decor pieces that explore the abstraction of form and materials.

Veeram Shah: The clients had been following our work and liked our design aesthetic, and they contacted us directly. The client is a young entrepreneur who wanted an apartment for his wife and two children. Frequent family gatherings are an essential part of their life, so they needed a large dining and kitchen area with good storage space. They wanted a space that would reflect their simple, holistic way of living. They were open to experimenting with natural materials but wanted to incorporate the traditional principles of Vastu in every element of the square-metre apartment. We insisted on a few structural changes to clean up the space before putting the actual design on paper. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design.

Design ni dukan

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house. The materiality of the enclosure was the product of a parallel inquiry into the logistics of construction in the remote, rural location. The client, who himself had gone from being a farmer to a successful businessman now returning to his roots, insisted on employing local labor so as an experiment a village contractor was asked to build a sample wall in concrete, and the outcome: an unpredictable but beautiful texture caused by the shifting and warping of unbolted wooden formwork; was fascinating. These "anticipated imperfections" were embraced as part of the construction process, even extending this choice to the use of other materials. The muted material palette of concrete discolored Kota stone, white and wood is occasionally punctuated by a warm terracotta tone: at the main entrance where it forms the backdrop to a brass Bindu, signifying the point of origin , in the swimming pool, on seats around seasonally flowering trees, and sculptural objects scattered throughout the house and garden. The only other use of color is found in the most private spaces of the house, the bathrooms, with each being rendered in a different pastel shade and dramatically illuminated by turret-like skylights. The footprint planning attempts to separate public, semi-private, and private zones of the house while maintaining a continuity of flow around a central open space. All parts of the house open onto a courtyard, via a covered corridor, as well as onto smaller, private courts, ensuring that they get adequate light and ventilation while being protected from the harsh tropical sun and hot winds. In many ways this project directed the trajectory of the studio Design Ni Dukaan during its formative years. Disrupted by several delays during Covid, it took them almost nine years to finish the project.

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The resulting architecture is designed as a sprawling collection of separate parts, all wrapped within a secondary concrete skin. With a background in farming, the client hoped to return to his roots and insisted on employing local labor. With its hilltop site and walled-off design, Design ni Dukaan notes that its Enclosure House takes on the expression of a citadel. The outer walls are comprised of four main surfaces — two curved and two straight — whose intersections are subtly overlapped or offset to create moments of entry. The main entrance canopy takes shape at the confluence of the two curving walls, guiding visitors inside from a threshold of raw concrete to interior spaces finished with clean, white plaster. Much of the house is expressed with a muted material palette of concrete, kota stone, white plaster, and wood. The most private spaces of the house, the bathrooms, punctuate the interiors with pops of vibrant colored tilework and dramatically illuminated by deep skylights. Feb 27,

Design ni dukan

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house.

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Unveiling the First Light Collection — A Tapestry of Tradition and Innovation In the heart of Jaipur, India, an illustrious bespoke rug atelier, rooted in a century-old legacy dating back to , stands as a testament to. Facebook-f Youtube Pinterest. Penthouses embody the pinnacle of opulence and exclusivity, offering a unique blend of sophistication and breathtaking views. The Embrace chair is the result of various experiments in folding surfaces. At the other end is Prismatic, which celebrates colors. This style of gothic architectural movement. Home News stir-news Design ni Dukaan renders everyday objects into sculptural designs with new launch. Prismatic flames with hues and bleeds of light invoke curiosity with their never-ending spectrum of colours. The idiosyncratic pieces from the collection hold unique names— Monolith, Prismatic, Entangled, Embrace, and Diphanous , inspired by the emotions they evoke. Save Image Close. Or you can join with google. Don't have an account?

Design ni Dukaan, led by designer Veeram Shah, redefines office spaces by embracing materiality as a pivotal design process. Focusing on sensory aspects, the project, located in Gandhidham, Gujarat, India , unfolds as a gradual assembly of elements and functional sculptures, forming a warm workspace and emphasizing increased productivity. The design preserves the original architectural structure, utilizing its form as an aesthetic anchor while consciously welcoming imperfections.

Create Your Account. For more detailed information please read our Privacy Policy. Characterised by grey tones, a restrained material palette and natural finishes, this Ahmedabad apartment by local studio Designer's Circle is a cool, quiet escape in the city. Sign Up. Check the latest Rocking Armchairs. Published on January 11, The project was truly a celebration of the act of creation, which has become for us the essence of our design practice. Design ni Dukaan, led by Principal Designer and Architect Veeram Shah, has launched five exclusive decor pieces that explore the abstraction of form and materials. Design Ni Dukaan. The Diphanous table is all about the collision of irregularity and imperfection. It presents as a dance of hollow paisleys abstracting human limbs, entangled with magnetic force, lighting each other up, while bringing forth the darkest spots. Prismatic , a mirror and lighting design is crafted as a celebration of colours with hues and lights invoking curiosity. History of Architecture begins in the Neolithic period, roughly 10, years ago or at the time when people stopped living in cages and began constructing.