Dual super lead

The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. The amp can move between two sounds within each gain channel, so that players can create and release their personality through dual super lead. There are two master volume functions so you can bring your solo to the forefront, dual super lead. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style.

Updated: Jul 8, I finally decided to give my trusty, over ten years old, Marshall JCM DSL a review - after so many years of great service, I think the world needs to know. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. Like most Marshalls, the two preamp channels are powered by 12AX7 tubes, one for the clean channel, two for the dirt channel and one for phase inversion. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s. Needless to say, as with all serious tube amps, the overall sound and feel of that amp can vary depending on the tubes you load it with, your guitar output and anything between your guitar and the amp.

Dual super lead

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips. Each channel is equipped with a three-band EQ, presence, and reverb, offering you the ability to fine-tune your sound to perfection. But that's not all - each channel also features two distinctive modes: the Classic Channel offers Clean and Crunch options, while the Ultra channel provides separate Leads, essentially rendering the sounds of four amps in one compact head. This is quality gear at a fair price point, suitable for beginners, hobbyists, and pros alike. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. Learn more here. He says "I just use[d] a two-channel amp, one full

It takes overdrive pedals and fuzzes exceptionally well, no matter how sensitive they are. I am hardly a Marshall connoisseur, but I think mia_lui nails that sought-after tone, if you can play it loud enough. Learn dual super lead here.

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here.

Wide range of classic Marshall tones - from crystalline cleans to high gain heaviness. Power switching. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. From Hendrix to Slash , Iron Maiden to Spinal Tap - if guitar royalty has one thing in common, it's that they all bow down to the majesty of Marshall guitar amplifiers. Aside from a quintet of special 50th anniversary models, also brings a refreshed line-up of DSL Dual Super Lead amps. Originally launched in the late 90s as part of the JCM range, the DSL amps proved a huge hit and were critically acclaimed as a modern classic. The new range includes a watt head and combo, and a watt head. In between the ultra-portable and the ultra-loud sits the DSL40C. As ever, simplicity proves itself to be the backbone of great design, but that doesn't mean Marshall has skimped on features.

Dual super lead

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here.

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Key Features. The amp can move between two sounds within each gain channel, so that players can create and release their personality through sound. On both rhythm tracks are played through a MJM London Fuzz and into the clean channel with the gain around 10 O'clock. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips. Install a choke to get the nice tone smoothing you'll find in a vintage stuff Perfect, you dont have to buy a jcm and modify it. Surprisingly it can clean up well but is more for classic and hard rock. Kemper Profiler Head View all photos. Find out how Natal's founder, Alan Sharp, revolutionised percussion manufacturing empowered drummers to take centre stage. The clean channel, as I learned to expect and respect from a good Marshall tube amp is not super clean, especially when fed with a relatively hot signal. The Clean Channel.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear.

Find your retailer. Both OD track examples are not ones that demonstrate the amps' drive channel at its best! However, be aware that changing preamp tubes can significantly change the amount of headroom you get from the preamp and changing speaker can take you even further, if that's what you want. Please check the news page for updated reviews as they are completed. Needless to say, as with all serious tube amps, the overall sound and feel of that amp can vary depending on the tubes you load it with, your guitar output and anything between your guitar and the amp. There's all the usual stuff we'll get in to later in the actual review such as effects loop etc. Marshall Plexi SLP. A good starting point for both channels. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style. The amp can move between two sounds within each gain channel, so that players can create and release their personality through sound.