Francis bacon self portrait 1973

The work falls under the expressionism movement style, francis bacon self portrait 1973, which emphasizes subjective feelings and emotions over objective reality. Bacon created this painting during his most introspective phase following the death of George Dyer, his former lover. The self-portrait features a searing self-image of a distorted face with an open mouth and gaping jawline, portraying intense anguish and despair.

The information in the present section on francis-bacon. Paintings are catalogued chronologically, under the year of their completion: thus a painting dated will be found in Among the paintings with descriptive titles in the catalogue, many did not emerge into public view until after But he employed many other media, and was fond of mixing sand, dust, fibres and pastel, for example, with his oils. While every effort has been made to include these details, until paintings are examined and ideally scientifically tested with the glass removed, the descriptions of media will inevitably be incomplete. After , Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently.

Francis bacon self portrait 1973

AAGR 5 years This estimate blends recent public auction records with our own private sale data and network demand. There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry. Medium: Lithograph. Edition size: Year: Size: H cm x W 73cm. Signed: Yes. Format: Signed Print. Trading Floor. My Portfolio. Build your portfolio, manage valuations, view return against your collection and watch works you're looking for. This work has an auction history of 31 total sales since its entry to the market in December

Nicholson, Ben.

A sink, a bare bulb, a Brentwood chair a mirror reflecting his back side and a watch reading 10 past 5. Bacon leans on his elbow on the corner of a bare sink, floating in air. His legs are twisted around one another in some kind of paroxism, and his hand is on his forehead above a screwed up, jowly face. It is a truly harrowing picture. Why the bathroom? This is a location where his lover George Dyer committed suicide.

Francis Bacon British, born Ireland. The tightly constricted view allows only for ruminations on the face itself—its ravages, its psychological depths—and the sense of the head turning around slowly, going from one frame to the next, as if in an unhurried panning shot. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. Use your arrow keys to navigate the tabs below, and your tab key to choose an item. Title: Three Studies for Self-Portrait. Date:

Francis bacon self portrait 1973

The information in the present section on francis-bacon. Paintings are catalogued chronologically, under the year of their completion: thus a painting dated will be found in Among the paintings with descriptive titles in the catalogue, many did not emerge into public view until after But he employed many other media, and was fond of mixing sand, dust, fibres and pastel, for example, with his oils.

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Trading Floor. Would highly, highly recommend. Basquiat, Jean-Michel. Stella, Frank works. Opie, Julian works. Freud, Lucian 57 works. Rebecca Marsham helped me in every step till I got the artwork at my home. Bacon created this painting during his most introspective phase following the death of George Dyer, his former lover. The Scream Edvard Munch, Miller, Harland. Enquire to buy Enquire to sell.

License this image. Dyer appears on the left and Bacon is on the right. The central group is derived from a photograph of wrestlers by Edward Muybridge, but also suggests a more sexual encounter.

Mo With Five Leaves. Auction Results. The team Giving back Press Contact us Work with us. Frankenthaler, Helen 30 works. We welcome wholesale inquiries on some of our products. Mark Hutchinson, 'Firing at the nervous system. Henry In His Office. There are no hanging carcasses, no mysterious intruders, no fights or embraces, no bloodstains. Kasmin Twice. London: Tate Publishing, Dali, Salvador. Throughout the process they were so professional, keeping me informed and updated on how the sale was progressing. Size: H cm x W 73cm. Gregory Reclining.