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Adresi: Bereketzade Mah. Ekim Temmuz'a kadar TL. Unleash the wisdom held in the depth of your wild feminine essence within a circle of sisters.

By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. The pillaging of archaeological artifacts and ancient mosaics on the archaeological sites began on a quasiindustrial scale with the destruction of Mari, Europos Dura, Palmyra, Apamea in Syria by ISIS and it continued with artifacts stolen from Iraq, Libya, and Yemen. Stolen blood antiquities including ancient mosaics, have been sold around the world in online black markets. My lecture focuses on the two mosaics which are today a symbol of the damages resulting from illicit digging in Syria. The first part of the presentation considers the description of the first mosaic composed of three registers which tell the story of the founding of the Macedonian

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Heidi Trautmann. By Heidi Trautmann. I have followed the efforts to bring to life this public awareness during the last couple of years and I ask the reader here to read the stories of this development under the following links in order to keep in line with its individual steps. The project was brought to life by Rauf Ersenal and his team. See the list below. The objects which so far have been existing only as photos and drawings, were taken away by archaeologists to the museums in England and Sweden in the course of last century. Some of them are resting in the Archaeological Museum in South Nicosia. Secondly, the art of ceramic has never before boomed as much as it does today through these Terracotta symposiums, adults and children are invited to try their hand and are being helped by the expert artists. During the last period of years I observed an improved tendency to learn the ceramic arts and many educational institutions have opened up, official ones but also many private studios have taken up teaching the arts. Above that, Rauf Ersenal and his friends have been searching the island for the clay in valleys and brooks, clay that was over months collected and is now being used for the reproduction of objects and sculptures. Throughout the weeks of the symposium cultural activities were undertaken that showed the lifestyle habits of the bronze age people, what they used in their households and how they used it, also, how they worked instruments with the material of their natural habitat. Such instruments were produced during the symposium, cooking and firing places, weapons for hunting made from bronze using bag bellows to get the proper heat for the process.

The remaining 19 works belonging to one of the bowl forms is a part of the mouth.

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Six miles from Urfa, an ancient city in southeastern Turkey, Klaus Schmidt has made one of the most startling archaeological discoveries of our time: massive carved stones about 11, years old, crafted and arranged by prehistoric people who had not yet developed metal tools or even pottery. The megaliths predate Stonehenge by some 6, years. The place is called Gobekli Tepe, and Schmidt, a German archaeologist who has been working here more than a decade, is convinced it's the site of the world's oldest temple. Thirty minutes later, the van reaches the foot of a grassy hill and parks next to strands of barbed wire. We follow a knot of workmen up the hill to rectangular pits shaded by a corrugated steel roof—the main excavation site. In the pits, standing stones, or pillars, are arranged in circles. Beyond, on the hillside, are four other rings of partially excavated pillars. Each ring has a roughly similar layout: in the center are two large stone T-shaped pillars encircled by slightly smaller stones facing inward. The tallest pillars tower 16 feet and, Schmidt says, weigh between seven and ten tons.

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La sua costruzione avrebbe interessato centinaia di uomini in un arco fra tre o cinque secoli. La datazione al X millennio a. I manufatti artistici, in pietra scolpita, rivoluzionano la dottrina che definisce tale era come quella di popolazioni nomadi dedite alla caccia ed alla raccolta di frutti selvatici. Inizialmente non si era trovata traccia di insediamenti umani nei pressi del sito, pertanto lo scopritore Klaus Schmidt aveva ipotizzato si trattasse di un luogo monumentale assimilabile ad un tempio. Pertanto resta tuttora inspiegato quali fossero le risorse utilizzate per l'edificazione, che avrebbe impiegato un gran numero di persone per un periodo di secoli. Intorno all' a.

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On either side of the Tethys, are two erotes fishing with rods. Seckin Evcim. Ivan Korotkin. There is an inscription in the rectangular panel towards the apse. Ge from Ma'arata. In addition, the contents of the inscriptions on the mosaics recently found in Syria and Osrohene regions, neighboring Cilicia Pedias will be compared and the effects of interregional communication will be assessed. House of Aion — Upper level. Here, given the findspot of the mosaic, the word can hardly refer to anything other than the banks of the river which descends from the mountain of Antioch to the Orontes. Apart from the famous Justinianic Great Palace mosaics, there is not much evidence, material or literary, for the significance of this art form in Constantinople. Baykan, D. On the southern side of the colonnaded street, a total of seven rectangular panels were discovered. The excavations revealed the plan of the house which consists of two courtyards one large and one small , two rock-cut reception rooms, and two rooms that are identifiable as andron and gyneikeion. In our study, the production sites of the above-mentioned amphora stamps were determined and classified, cataloged and generally dated between the middle of the 3rd century BC and the beginning of the 2nd century BC. Morey and C. Our local artists have months before already started to produce some objects so people could already get some idea of what it is all about, an entire fields of beautiful objects.

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In the Megalopsykhia House mid-5th century , while the walls of the spaces have not been preserved, the mosaic floors survived. The language of the inscription is Latin: in a city like Antioch, it means that the inscription is related to the Imperial State. The most interesting iconographic style remains from Ma'arata where the goddess was represented without any of the common traits, but with a hat from which extended a branch full of fruits, in addition to her thin face unlike the round face of the well-known goddess. The mosaic was laid in opus vermiculatum technique and limestone and glass tesserae in black, white, gray, yellow, blue, green, red, pink, brown colors were used. Heidi Trautmann Column. Rescue excavations were carried out in Church A for the first time in , and in Church B in and by the Hatay Museum Directorate, and the mosaics decorating these churches were moved to the museum. Antiochia ad Cragum, does not have the characteristics of a natural and busy harbor due to its location on a hill rising from the sea in the form of a steep cliff. The unpredictable and sometimes destructive character of the Parmenius is stressed by Malalas and confirmed by modern testimonies. The similar and dissociated elements of Roman Imperial and Late Antique mosaic inscriptions will be compared and perspectives of mosaic masters will be dealt with. Basalt stone was used in its architecture. In this context, Antiochia ad Cragum, located on the western border of Cilicia, is one of the important examples of interaction over mosaic art. In this case, perspective-looking prismatic units called "tangent cuboid", "console" or "square-rhombic" in the mosaic literature become the upper views of rhombohedrons rhombic prisms , which consist of regular tetrahedron and regular octahedron packaging, and gain importance. These are supplemented by images in mosaic and fresco from several other sites, which adorned primarily convivial or adjoining spaces in private homes, all dated to the early decades of the 3rd century, and in at least one instance to the latter part of that century. In the lower-left north section of the panel, a seated male figure, whose body is partially covered, is depicted in the north; in the south part, a dressed female figure with the upper part of her body destroyed and standing holding a leaf in her left hand is depicted.