Jat embroidery

In the Gujarat state of India, the Kutch region is renowned for its fine folk, colourful and mirrored embroideries. Traditionally stitched by village women, jat embroidery, for themselves and their families, to create festivity, honor deities, or generate wealth, this craft has passed on for generations from jat embroidery to daughter. While embroideries contributed to the substantial economic exchange required for marriage and fulfilled other social obligations which required gifts - unlike most crafts they were never commercial products. Each community in Kutchdue to historical, socio-economic and cultural factors, has a distinct tradition, its jat embroidery and unique style of embroidery, different motifs, combination of stitches, jat embroidery, patterns and colours that give them a visual identity.

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs.

Jat embroidery

Dhanetah Jat women design and produce exquisite, labour-intensive embroidery. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. Each embroidery is a unique expression of the woman who made it. Size is approx. Features: Hand embroidered Dhanetah Jat piece set on a silk backing. There is a sleeve sewn along the top and bottom at the back that could be used to fit a dowel or rod for hanging. For centuries embroidery has been an expression of personality The language of stitches builds within a community over hundreds of years. It is a source of identity that is transferred from one generation to the next. It is learned in the same way a spoken language is learned; with children sitting beside the adults.

Some communities have lived in Kutch for centuries, jat embroidery, others have migrated to the region bringing distinct embroidery skills, from regions beyond the Northwest frontier with Pakistan. Most men now work as labourers.

Kachchh Embroidery. See Kachchh Embroidery. In Maiwa staged an exhibition of Kachchh embroidery. Read about that exhibition here. Below, meet some of the communities Maiwa works with:. Rabari are expert camel breeders, cattle herders and shepards. Over time as a community grew too large for the environment to sustain, they would divide and a subgroup would migrate to a new region.

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. There was no attempt at story-telling as in embroideries found in some other parts of India. However, in recent times, certain communities have begun to expand their narrative and depict stories of life and situations around them. Kutch Embroideries: Old embroideries help to create reference pieces for preserving styles and developing new designs Dastkari Haat Samiti. A sampler piece of Jat embroidery made in the 21st century, following traditional stitches.

Jat embroidery

It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery. The hub of the Kutch embroidery work is basically located in the regions of Kutch and Saurashtra wherein the local artisans churn out the most creative and exquisite designs. From mirror and bead work to Abhala embroidery along with the usage of silk threads of bright colors, the Kutch embroidery basically ornate the entire fabric and embellishes it completely. The impeccable designs of Kutch embroidery is a tribute to Rabaris, a nomadic tribe that crafted the art of Kutch embroidery which is now an artwork of international repute. Kutch embroidery has been there for centuries and in the 16th and 17th centuries Kutch embroidery pieces were exported by western countries. It is also believed that mochis or shoemakers were taught Kutch embroidery years ago by a Muslim wanderer in Sindh and that is what started the tradition. Using the Heer Bharat as a mirror is easily fixed in the center that adds more beauty to the embroidery work. This embroidery is also influenced by romantic motifs as well as patterns of human figurines in dancing poses and dancing peacocks too. A lot of motifs are also inspired by Persian and Mughal arts that are inspired by animals.

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Rabari Rabari embroidery is unique to the nomadic Rabaris. Rabaris, who are one of the larger communities of Hindu pastoralists are further divided into subgroups. Mutwa is the name of one of eighteen Muslim clans living in isolated villages scattered throughout the Banni region of Kachchh. Detail of the single thread, highly intricate stitches used in the Debhariya Rabari Kedia, a traditional men's garment worn by the Debhariya Rabari community. Translate with Google. Rabaris outline patterns in chain stitch and then decorate them with a regular sequence of mirrors and accent stitches, in a regular sequence of colors. Dhanetah Jat women design and produce exquisite, labour-intensive embroidery. Garasia Jat work "belongs" specifically to the Garasia Jats , Islamic pastoralists who came from outside of Kutch region. The women often borrowed patterns from other communities but executed them in their unique way, using miniscule mirrors embedded within the finest of stitches. Size is approx. The black woman's shawl is made through a collaborative relationship between three communities: weavers, bandhani tiers, and embroiderers. Detail of a Contemporary panel in traditional Jat embroidery design. The style, like the Rabaris , is ever evolving, and in abstract motifs Rabari women depict their changing world.

Kutch Embroidery It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery. The hub of the Kutch embroidery work is basically located in the regions of Kutch and Saurashtra wherein the local artisans churn out the most creative and exquisite designs. From mirror and bead work to Abhala embroidery along with the usage of silk threads of bright colors, the Kutch embroidery basically ornates the entire fabric and embellishes it completely.

However, their social status and poor economic condition often forces them into the commercialized craft sector where a ruthless pace of production, low quality and low wages are the norm. Each community in Kutch , due to historical, socio-economic and cultural factors, has a distinct tradition, its own and unique style of embroidery, different motifs, combination of stitches, patterns and colours that give them a visual identity. A Suf artisan displays virtuosity in detailing, filling symmetrical patterns with tiny triangles, and accent stitches. Originally, Harijan Meghwars were weavers and leather workers who migrated to Kutch from Marwar, Rajasthan. Jat women design and produce exquisite, labour-intensive embroidery. Suf is counted on the warp and weft of the cloth in a surface satin stitch worked from the back. Its colour and motifs visually communicate the age, marital status and geographical origin of the wearer. The identity of every Kutchi person is woven in the stitches of these embroideries. Jat Garasia Jat work "belongs" specifically to the Garasia Jats , Islamic pastoralists who came from outside of Kutch region. They consider the choli blouse one of their most important art forms because of its heavily embroidered front. Every stitch we do is a deposit and when we finish we get such a large amount of money that we can do something important. There was no attempt at story-telling as in embroideries found in some other parts of India. Below, meet some of the communities Maiwa works with:. They were cowherds who have now assimilated into urban society in Kutch, although many women continue to take pride in their embroidery.