kehf suresi 25 ayet

Kehf suresi 25 ayet

Trinnylondon will keep fighting for all libraries - stand with us! Search the history of over billion web pages on the Internet. Capture a web page as it appears now for use as a trusted citation in the future. Search icon An illustration of a magnifying glass, kehf suresi 25 ayet.

This opening decorated page from Walters manuscript W. The text begins with the doxological formula basmalah in black Muhaqqaq script outlined in gold, followed by two Persian verses in black Naskh script. Following is an Arabic line written in gold Thuluth script outlined in black. The Arabic text is again followed by two Persian verses inscribed in black Naskh. Walters manuscript W. The codex opens with an illuminated titlepiece inscribed in white Tawqi script fol. The text, on gold-sprinkled paper with tan tinted margins, is written in a variety of large-size scripts, including Thuluth, Muhaqqaq, Rayhan, and Tawqi', vocalized in black and blue.

Kehf suresi 25 ayet

This codex, Walters manuscript W. The page has 5 inner panels of text executed in the following scripts: Muhaqqaq gold , Naskh black , and Thuluth blue. The author was one of the secretaries of the court. Title from title page fol. Physical description: 6 lines per page. Entries in gold outlined in black with red and blue for vocalization and diacritical signs. Circle in gold outlined in black for text-stops. Origin: Origin: Dates in dated pieces range from [ or 70] to [ or 6]. Some pieces possibly earlier. Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards and facing panels lined with white, textured paper satin-like pattern ; upper and lower covers carry central panel gold-stamped with the Ottoman arms upper cover or crescent and star lower cover at center, outlined in gold-tooled stars and bordered in gold-stamped with olive green leather onlays decorative panels in vegetal designs with crescents gold-stamped on olive green leather onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of onlays, etc. Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted, marbled or silhouette ; each mounted in heavy pasteboards panels covered in dark green coated and textured paper resembling reptile hide with edges gold-painted. Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents mainly rosettes. Collation: Twenty-one heavy panels pasteboards attached via red cloth stubs supported by further board.

Complete Qur'an of folios; bound in contemporary dark brown leather binding.

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Kehf suresi Say: "I am but a human being like you, being inspired that your god is One god. So whoever looks forward to meeting his Lord, then let him do good works and not set up any partner in the service of his Lord. It is revealed to me that your God is One God. So whoso looks to the meeting with his Lord, let him do works of righteousness, and ascribe not a partnership in the service of his Lord to anyone. Your god is One God. So let him who hopes to meet his Lord act rightly and not associate anyone in the worship of his Lord. Rashad Khalifa The Final Testament. Say, "I am no more than a human like you, being inspired that your god is one god. Those who hope to meet their Lord shall work righteousness, and never worship any other god beside his Lord.

Kehf suresi 25 ayet

Kehf suresi And have patience upon yourself regarding those who call their Lord in the morning and evening seeking His direction, and let not your eyes overlook them that you seek the beauty of this worldly life. And do not obey the one whom We have made his heart heedless of Our remembrance and he followed his desire, and his fate was lost. And make thou thy soul patient, with those who call to their Lord, morning and evening, seeking His face. And let not thine eyes pass beyond them, desiring the adornment of the life of this world; and obey thou not him whose heart We have made heedless of Our remembrance and follows his vain desire and whose affair is neglect. Restrain yourself patiently with those who call on their Lord morning and evening, desiring His face. Do not turn your eyes from them, desiring the attractions of this world.

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Your email. Support: non-European likely Persian laid paper with roughly 7 laid lines per cm. Search within this browse category Clear search box Highlight Off Search within browse category. Description: The text on this folio from Walters manuscript W. Illustrated and signed. Books to Borrow Open Library. It is used to detect spammers. Audio Software icon An illustration of a 3. Description: This richly decorated page from Walters manuscript W. Dynasty: Mamluk Dynasty. User icon An illustration of a person's head and chest. Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted, marbled or silhouette ; each mounted in heavy pasteboards panels covered in dark green coated and textured paper resembling reptile hide with edges gold-painted. The codex opens with an illuminated titlepiece inscribed in white Tawqi script fol. Description: This page from Walters manuscript W.

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Description: This richly decorated page from Walters manuscript W. Sad-SuresiSuleymen a. Kehf suresinin son ayetlerinin y. Title supplied by cataloguer. Go to parent directory. Note: Production: Iran. Description: This page from Walters manuscript W. It contains commentary on the manuscript in Arabic and Persian. The Qur'anic text begins on fol. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. The illuminated finispiece fol. The author was one of the secretaries of the court. The text begins with the doxological formula basmalah in black Muhaqqaq script outlined in gold, followed by two Persian verses in black Naskh script. Title supplied by cataloguer. Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents mainly rosettes.

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