Kundura hafıza

It explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values. It examines Beykoz Kundura as a space of life and the state of kundura hafıza interconnected' with selected archive materials and oral historical narratives. In addition, there are many documents are kept and conserved kundura hafıza the archive with hundreds of photographs such as architectural drawings of the factory buildings, maps, plans, technical drawings of machinery, shoe catalogues, correspondences, general instructions, invoices, job applications, certificates of quality, bills for goods etc, kundura hafıza. It plans a working cycle with the artists, which protects, conserve, and guards the archive.

How do you position Kundura Cinema in the context of cinema culture in Turkey and beyond? Kundura Cinema is part of a cultural placemaking project. It is located at the former boiler house of the old shoe factory Beykoz Kundura, which is a place of significant industrial heritage in Istanbul. The cinema is a product of a core intention to sustainably repurpose this post-industrial site. Our mission is to create a new identity for this location, acknowledging the weight of history that comes with this site. For this reason, our story began with the memory project, Kundura Hafiza, through which we were able to uncover untold stories, and gain a better understanding of the social history of this site and of our collective identity. Following the traces of these narratives helped us to consider how we could construct a cultural destination while also developing an insightful approach to the adaptive reuse of the space.

Kundura hafıza

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The factory management used to transform the food hall into an indoor cinema after the end of shifts. It is located at the former boiler house of the old shoe factory Beykoz Kundura, which is a place of significant industrial heritage in Istanbul. It examines Beykoz Kundura as a space of life and the state of kundura hafıza interconnected' with selected archive materials and oral historical narratives, kundura hafıza.

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Kundura Sahne probes performance practice with an inquisitive approach and creates space of encounter with its experimental and innovative fashion. While creating dialogues with strong local and international values, it embraces, encourages and supports research-oriented creative practice in interdisciplinary context. Nurturing the relation of research methodologies and creative techniques, it provides an interplaying dialogue for known concepts and rules; and takes part in creating works of art that are developed with proper methods. Based on the complexity of terms and definitions, it investigates ongoing peripheral connection and interrelationship of concepts such as stage, audience and actor, body and movement. It encourages change in creative styles and creates new setups. It focuses on documentary approach in the context and practice of research-based art making and narrative plotlines. It shapes and contours experiences and social narrations that we all are surrounded by. It progresses without making a classification according to technique, style and format and does not establish a fixed and limited perspective.

Kundura hafıza

It explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values. It examines Beykoz Kundura as a space of life and the state of 'being interconnected' with selected archive materials and oral historical narratives. In addition, there are many documents are kept and conserved in the archive with hundreds of photographs such as architectural drawings of the factory buildings, maps, plans, technical drawings of machinery, shoe catalogues, correspondences, general instructions, invoices, job applications, certificates of quality, bills for goods etc. It plans a working cycle with the artists, which protects, conserve, and guards the archive. It creates a field of research through art practice and provides participation and access to the archive by granting the artist the power of interpretation within the context of the main collecting and compiling principle of the archive. The artists who are invited to Vardiya for working at the archive in certain periods of the year for certain durations transfer their duties to the artist that will take over. The artist decides how to make the transfer in this creative process.

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Our cinema and its surroundings complete each other. Experimenting with exhibition formats can also shape the audience. Cinema of Commoning represents a space for encounters and for exchanging shared values based on our filmic missions. We find that this format appeals mostly to younger audiences. Our mission is to create a new identity for this location, acknowledging the weight of history that comes with this site. Our focus at Kundura Cinema is on designing experiences. We believe that film exhibition should not merely mean bringing films to audiences, but rather that our events should be spatial, immersive experiences that begin from the moment the will of discovery emerges. It plans a working cycle with the artists, which protects, conserve, and guards the archive. For instance, if a programme is ticketed, then we also ensure that we include free screenings within the season. This is the most convenient and healthiest way to keep ourselves vibrant and innovative. A in the "Photography" department at Marmara University in Istanbul. As the space belongs to the public, we offer a diversity of genre, and we attempt to reach as wide an audience as possible through our curatorial storytelling. In addition to her six solo exhibitions to date, the artist has participated in numerous group exhibitions on an international level, such as "A Pillar of Smoke" The Rencontres d'Arles, , "You Are What You Eat" Krakow Photomonth,

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Her recent works investigate the body as an archive and movement as a means of revival. We find that good quality and original hand-picked programmes also lead to the most interested and dedicated audiences. How does the choice of films shape the different types of audience of your cinema space? We aim to allow our audiences to design their own experience, and what is most important here is that we provide enough material to allow them to do this. What does Cinema of Commoning mean to you? It explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values. By the way, we still conserve the carbon arc lamp projector left from the factory time — this still welcomes visitors in the foyer of the cinema today. We believe that we can make locality more valuable within global solidarity. For instance, if a programme is ticketed, then we also ensure that we include free screenings within the season. For this reason, our story began with the memory project, Kundura Hafiza, through which we were able to uncover untold stories, and gain a better understanding of the social history of this site and of our collective identity. In addition, there are many documents are kept and conserved in the archive with hundreds of photographs such as architectural drawings of the factory buildings, maps, plans, technical drawings of machinery, shoe catalogues, correspondences, general instructions, invoices, job applications, certificates of quality, bills for goods etc. To what extent is the programme of Kundura Cinema shaped by the memory of its location, Beykoz Kundura? Cinema of Commoning. How do you position Kundura Cinema in the context of cinema culture in Turkey and beyond? She focuses on the definitions and practices of "care and attention" in a broad sense.