Mama movie crawling scene

Very few horror movies would merthur past the second mama movie crawling scene if the characters in these films were actually fans of horror movies. Some time after the first occurrence of Scary Old Timey Music Wafting Through the Vents, after Creepy Bugs Fluttering Inside the House and certainly by the time of the "Accidental" Fall That Sidelines a Key Character — well, mama movie crawling scene, that's when any red-blooded, movie-going individual would run out the front door and never look back. To the credit of director Andy Muschiettihis co-writing team and a first-rate cast, "Mama" succeeds in scaring the wits out of us and leaving some lingering, deeply creepy images, links icq indulging in many of the aforementioned cliches — and about a half-dozen more.

Genre: Horror Premise: from IMDB Annabel and Lucas are faced with the challenge of raising his young nieces that were left alone in the forest for 5 years…. Andres Muschietti is the co-writer with his wife, and also the director of the film, which stars Jessica Chastain, the Academy Award nominee from Zero Dark Thirty. You will be in the theater doing your best to suck back tears before those dreaded lights come on in the end and everybody can see how much of a wuss you are. I get cheap scares. I get cheap thrills. I get cheap characters.

Mama movie crawling scene

Sign In. Mama I Hide Spoilers. Co-written and directed by Andres Muschietti, Mama shows how it boils down to story, building upon his short film of the same name some 5 years ago, and a solid cast to gloss over the expected bag of tricks. While it may be blunted in terms of anticipation and build up, it didn't shy away from delivering that sucker punch when required, and kept good work in framing and editing for maximum impact when the moment called for the unabashed dip into tried and tested elements. One thing you'll note is how assured Muschietti's direction is, as if doing it all for the very first time, with the aim of wanting to stir up its scares really well. Liberal use of CG also helped, but never done in slip-shoddy fashion, which added a layer of positive production values to the film. I mean, there's creepy children, a ghoul that gate-crashes a reunion of sorts, and the usual spooky house no thanks to noises during strange timings, and the rote blinking of lights. All ingredients that you've seen utilized to the death in various horror film productions, but coming together really well in Mama, playing to the strengths of these elements while fiercely ignoring the negativity associated with lazier filmmakers who just slap these elements together, expecting them to work. It's not a special effects extravaganza when it's not required, and Mama showed just how its story and characters were allowed to lead, rather than to have strangely illogical moments, even for a horror film, fall coincidentally into place. Jessica Chastain may be the latest IT girl in Hollywood, and it's encouraging to note she's really going all out to take on various roles in different genres, despite her more recent art house leanings of late. Here, she's the quintessential scream queen, albeit only just, given her role of Annabel being a rock star wannabe, sporting almost full body tattoos that betray a rather soft demeanour, when her maternal instincts get called upon to look after the nieces of her boyfriend Lucas Nikolaj Coaster-Waldau.

Create a list ». In fact, I was happier with the movie than I intended to be.

Why do images of humans walking on all fours, especially bent over backwards and speed up creep people out so much? Horror directors have used this particular trope to great effect for years. Horror film experts note that images in which the human body is shown in an unnatural way always seem to have a deep and unsettling impact on us. Think of blacked-out eyes, heads turning too far to the side, or fast jerky movements. Out of all the creepy images of the human body in horror movies, few if any are more disturbing than the dreaded spider walk sometimes referred to as 'crab walk'. When you are done with this article make sure to check out our limited edition horror shirts and clothing! The infamous scene of a possessed girl named Regan spider-walking down the stairs and then doing lewd things to the houseguests was filmed using a real contortionist, but it never made the final cut of the movie when it was first released.

Director Andy Muschietti's decade-long stint as a feature film director has been incredible to watch as he's gone from breakout indie director to helming some of the biggest genre blockbusters. So, to celebrate Muschietti's continual success and evolution as a director, it's the perfect time to look back at the film that started it all for him — "Mama. Based on his short film of the same name, "Mama" follows couple Annabel Jessica Chastain and Luke Nikolaj Coster-Waldau as they take care of Luke's abandoned nieces who have been living in the woods for five years after being left by their father, Jeffrey also Coster-Waldau. However, they haven't been living alone as a mysterious and frightening entity has been helping them stay alive and has taken on a motherly role that it's not looking to give up any time soon. Annabel and Luke find this entity to be quite attached to the girls causing horrifying nightmares to become reality. Before hopping to the ending of "Mama," let's do a quick recap of the big details of the story.

Mama movie crawling scene

Very few horror movies would last past the second act if the characters in these films were actually fans of horror movies. Some time after the first occurrence of Scary Old Timey Music Wafting Through the Vents, after Creepy Bugs Fluttering Inside the House and certainly by the time of the "Accidental" Fall That Sidelines a Key Character — well, that's when any red-blooded, movie-going individual would run out the front door and never look back. To the credit of director Andy Muschietti , his co-writing team and a first-rate cast, "Mama" succeeds in scaring the wits out of us and leaving some lingering, deeply creepy images, despite indulging in many of the aforementioned cliches — and about a half-dozen more. Executive produced by horror master Guillermo del Toro, "Mama" is a feature-length expansion of a three-minute short that Muschietti made with his sister Barbara. In addition to at least three or four jump-in-your-seat stingers, we get some of the most creatively chilling nightmare sequences in recent memory. A stylized dream which is really a transferred memory set in the 19th century, in which we see a crazed young woman creating bloody terror before leaping off a cliff with her newborn, all of it shown from the madwoman's point of view? That's a lot more innovative than anything we're likely to see in yet another film about a plodding behemoth in a mask chasing after dumb teenagers through the woods. In the prologue to "Mama," we learn of a shooting at a financial firm after an economic crash.

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I decided to take a page out of Ebert's book and explain why I loved it instead of just saying "it's awesome". Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. She was brilliant, and as i have grown to love Chastain for her roles in the past two years, for her devotion and skillfulness, she is the best choice for this role. Even so, Mama stands on it's own merits. Here's why: 1. If that were the case, there would be no conflict, because Annabel would never be forced to deal with the children. A little known film, of found footage horror genre, called The Poughkeepsie Tapes. Many of the characters were fine and had a little more development than I expected in a horror movie, yet their development was very linear and predictable despite the emotion they portrayed. They were found after having disappeared for five years, which the opening sequence and credits would have pointed to an unnatural upbringing under the hands of the titular Mama ghoul. Loved it! Though, they can be effective at some point. The image of Sadako crawling out of the TV and then creeping across the floor on all fours has been identified by many horror fans as one of the most terrifying horror movie images ever. Where two sibling kids that move like a spider Gollum especially the younger one that gets found in a small house in the woods.

After a young couple take in their two nieces, they suspect that a supernatural spirit named Mama has latched onto their family.

Mama turns out to be pretty good. Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. It's not only about the scares. So once again I went to my local theater to check out the latest Hollywood horror entitled Mama, starring one of my favorite actresses Jessica Chastain. Her hair was really weird and anti-gravity like Mama in the short film and her face was oddly asymmetrical. As for Chastain, it's good that some of her caliber is here because a great performance really helps bring credit to the events in the film. Tragic stories are exciting and implausible all at the same time. Credit also to Andres Muschietti — his story and direction provide an effective, atmospheric and emotional film which provides much of what we expect, but doesn't always stick to the railroad tracks. Not that this is a bad thing, but was it crucial? The character development here is something quite rare in horror films but I think it really works itself out nicely. Here's the possessed barn scene:. I decided to take a page out of Ebert's book and explain why I loved it instead of just saying "it's awesome". However, I think that she was perfect. And since i'm very fond of Chastain, i will get on the subject thoroughly in a moment.