Panasonic 50 200mm review

After spending about three weeks doing a lot of real world testing and just taking lots of photos with this lens, here comes my review of this Leica telephoto lens.

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Panasonic 50 200mm review

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Our sample of this intriguing new premium super-telephoto zoom arrived from Panasonic just a week ago, and we couldn't wait to take it out into the real world.

Mounted on a Panasonic or Olympus mirrorless body, it delivers equivalent coverage of mm. Like earlier collaborations between the two companies, the DG mm is designed and certified by Leica in Germany, and manufactured by Panasonic in Japan. It also becomes the third model in the series to sport a variable f2. The Micro Four Thirds catalogue already has a variety of telephoto zooms with a similar focal range, but few that aim as high. The Leica DG mm f2. Panasonic claims the lens is fully weather-sealed, and I used it in light rain without issue. On my admittedly brand new sample, there was no evidence of zoom-creep when pointing straight up or down, but this may loosen over time.

Mounted on a Panasonic or Olympus mirrorless body, it delivers equivalent coverage of mm. Like earlier collaborations between the two companies, the DG mm is designed and certified by Leica in Germany, and manufactured by Panasonic in Japan. It also becomes the third model in the series to sport a variable f2. The Micro Four Thirds catalogue already has a variety of telephoto zooms with a similar focal range, but few that aim as high. The Leica DG mm f2. Panasonic claims the lens is fully weather-sealed, and I used it in light rain without issue.

Panasonic 50 200mm review

This series of bright and compact zoom lenses now has a range from ultra-wide angle to super telephoto, and each one offers exceptionally beautiful image quality for photo and video shots. The 9 Panasonic Leica lenses have 5 different Leica names, which correspond to the brightness of the lenses:. The combination of 5-axis image stabilization and the high brightness of F2. The long focal length and the high brightness are ideal for portraits, where the subject is nicely separated from the background. Fortunately, the Panasonic mm is bright, because with a 2x teleconverter, you lose 2 stops of brightness, and with a 1. With the 1. With the 2x converter, the AF speed is reduced to about ms.

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Header Toggle. All words, images, videos and layout, copyright Gordon Laing. It's almost like having different bright primes at your disposal without having to change lenses, and the shallow depth-of-field potential is superb, even when shooting from a fair distance to your subject. Feb 21, JanW. We employ that technology for functional, statistical and marketing reasons. Replies 2 Views 2K. The angle of view is 24 degrees. And, the AF was the fastest 1-area Lens I've used, and accurate in low light. With the Dual I. All images in this piece were shot handheld and with IS engaged. From centre to corners, the image sharpness remains high to excellent even at maximum aperture. Price is the only thing that would potentially stop you from buying one because it is not a cheap lens at all. This site is not responsible for any damage that the information on this site may cause to your system. This lens is small and light enought to be used without a tripod. Top Bottom.

Using all three of the lenses gives you reach from ultra wide angle all the way up to super telephoto, and are designed to complement each other. Giving an equivalent of mm in 35mm terms, the lens can also be used with 1.

Adres wydawcy oraz redakcji: ul. You should upgrade or use an alternative browser. Field of view at 50mm. A comparable combination in the APS-C world would be larger, and in the full frame world, it would be enormous by comparison. Latest articles All articles. Panasonic claims the lens is fully weather-sealed, and I used it in light rain without issue. We'll be bringing you an additional report with a G9 pairing, and we'll explore sports, trickier wildlife and more in low light situations. AF hunting with the GX9 was also problematic when trying to acquire focus on a vulture in flight I came upon while out and about, and I look forward to going back to that spot with the G9 and seeing if that combination proves more up to the challenge. I could easily take handheld photos at ridiculously slow shutter speed and get perfectly sharp photos, like the photo below. Print Share. In particular it can be fun to photograph a subject from further away with a long lens for a less distorted, square-on perspective. One additional thought to add is that electronic shutter is an absolute must-have for a lens this long and bright. From centre to corners, the image sharpness remains high to excellent even at maximum aperture. One of the main advantages of working with Micro Four Thirds lenses is their small size and weight. Above right: Olympus mm at mm f2.