Ray gun magazine

To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and.

Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. In terms of content, Ray Gun was also notable for its choices of subject matter. Ray Gun produced over 70 issues from through Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. Contents move to sidebar hide.

Ray gun magazine

From my hotel room in Frankfurt. Right side remainds me of Rothko a bit Digital print from 35mm photograph on archival paper by David Carson Branding Carson. This was the graphic-designer-as-rock-star, living an itinerant life of wall-to-wall airport lounges, luxury hotel rooms and limousines-before Carson, only British designer Neville Brody had come close to occupying such a rarefied position. But what else could be expected from someone whose work teeters precariously between the usually well-defined bound-aries of art and graphic design? Some six years after The End of Print was first published, David Carson is still managing to maintain his controversial position. While he is no stranger to exhibiting in museums abroad, appearing as part of a group show held in a commercially led fine-art gallery is somewhat different. At the same time, despite being a household name in graphic design, David Carson is virtually unknown withhim the contemporary British art world. Nicola Togneri, who represents Marlborough Fine Art, comments that showing the work of graphic designers in an art gallery has recently become much more acceptable. By including him among these up-and-coming British artists, the gallery hopes to introduce Carson to a new audience of art aficionados. In either case, the work on show suggests that Carson is far from rejecting the roots of his early experimental design work.

Some six years after The End of Print was first published, David Carson is still managing to maintain his controversial position.

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked.

David's design is a language, not a style. Vignelli "a contemporary legend" Print magazine, From CreativeReview Magazine ,London: "David Carson was the last person whose work for a magazine shifted wider contemporary design" jan. March " he changed the public face of graphic design" - newsweek " the art director of the era" creative review london " the most important work coming out of america" ameri- can center for design " the most influential graphic designer of our times" surfrider foundation, july '09 " He significantly influenced a generation to embrace ty- pography as an expressive medium" - steven heller " our biggest star " AIGA american institute of graphic arts " the greatest living graphic designer.. The best way to relate is to quote what they said that when Aeschines spoke the people said, "How well he speaks"; but when Demosthenes spoke, they said, "Let us march!

Ray gun magazine

Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance.

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Or is this merely the next logical step in his brilliant career? The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. One of the best things about making a magazine is turning people onto different music and new cool things they might not have otherwise heard about. Download as PDF Printable version. Visually, this work is not so very different from the early image-making he did for Ray Gun-the collages constructed out of elements of found paper, printed graphic ephemera or blurred photographs that highlight the graphic minutiae of the street. Founded in , the last issue was published at the tail end of To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and. Even the KISS cover was super cool to work on. Article Talk. Save this story Save. At the same time, despite being a household name in graphic design, David Carson is virtually unknown withhim the contemporary British art world. Visually it was awesome and, somehow, it worked. How Shein got away with daylight robbery in Likewise, the recycling of letterforms continues in his more recent experimental letterpress work. Some six years after The End of Print was first published, David Carson is still managing to maintain his controversial position.

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too.

We gave them a lot of freedom to experiment. Read Edit View history. Sure it did. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. Right Side reminds me of Rothko, a bit. Carson is clearly a Mcluhan fan and is keen to promote this page achievement, which skilfully combines his love of the photographic image and penchant for typographic experimentation. Article Talk. Rage Against the Machine. On the Way to Coney Island