Saturn eating his son painting

The shocking title of the painting, as well as the title and visuals that directly express its content, make it an unforgettable work. This painting by Goya was based on a mythological theme.

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Saturn eating his son painting

It is traditionally interpreted as a depiction of the Greek myth of the Titan Cronus known as Saturn in Roman mythology eating one of his offspring. Fearing a prophecy foretold by Gaea that predicted he would be overthrown by one of his children, Saturn ate each one upon their birth. The work is one of the 14 so called Black Paintings that Goya painted directly on the walls of his house sometime between and It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid. A premium quality heavyweight gsm fine art print material with a smooth, clean finish. This museum quality paper is extremely consistent and works perfectly with large, full colour graphics or illustrations. The matte finish emphasizes different highlights and tones in the source artworks; helping to create stunning works of art. Prints Framed Not Framed Originals. Dark Gloomy Art. We use cookies We use cookies to improve user experience and analyze website traffic. Close Accept.

According to mythology, Saturn reigns over death, old age, melancholy, drought, and war, and he is the genius behind dearth and catastrophes.

It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. It was a two-story house which was named after a previous occupant who had been deaf, although the name was fitting for Goya too, who had been left deaf after contracting a fever in Between and , when he left the house to move to Bordeaux , Goya produced a series of 14 paintings using mixed technique on the walls of the house. Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings. Created without commission for private display, these paintings may reflect the artist's state of mind late in a life that witnessed the violence of war and terror stoked by the Spanish Inquisition. Saturn Devouring His Son was one of six works Goya painted in the dining room. It is important to note that Goya never named the works he produced at Quinta del Sordo; the names were assigned by others after his death.

It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. It was a two-story house which was named after a previous occupant who had been deaf, although the name was fitting for Goya too, who had been left deaf after contracting a fever in Between and , when he left the house to move to Bordeaux , Goya produced a series of 14 paintings using mixed technique on the walls of the house. Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings. Created without commission for private display, these paintings may reflect the artist's state of mind late in a life that witnessed the violence of war and terror stoked by the Spanish Inquisition. Saturn Devouring His Son was one of six works Goya painted in the dining room. It is important to note that Goya never named the works he produced at Quinta del Sordo; the names were assigned by others after his death. His wife Ops Rhea eventually hid his sixth child and third son, Jupiter Zeus , on the island of Crete , deceiving Saturn by offering a stone wrapped in swaddling in his place.

Saturn eating his son painting

Between the years of and , Goya painted a series of paintings on the walls his villa at Quinto del Sordo, all of which portrayed terrible, fantastical, or morbid imagery. These paintings are now called the Black Paintings, referring to the mental state of Goya during this dark time in his life, due to his bout with illness, which made him deaf, as well internal strife in Spain. This painting was completed of the walls of his dining room, and is a rendition of Saturn, the Roman mythological character, who, fearing that his children would one day overthrow him, ate each one of them upon their births. According to the traditional interpretation, it depicts the Greek myth of the Titan Cronus in the title Romanized to Saturn , who, fearing that he would be overthrown by one of his children, ate each one upon their birth.

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This may represent a fate that cannot be resisted. Shop now. However, in his old age, Saturn became obsessed with insanity out of fear of his own destruction. The Giant reflects the mood of many Spaniards as they move from resistance, defense, pride, and determination to depression, a collective emotion shared by the artist. It has been questioned whether the consumed figure is male. Why did Saturn devour his son? The two old men are commonly thought to be men, but this is not certain. Quantity Decrease Increase. When he left Saragossa, he took out some extensive religious decorations, the most notable fresco in the vault over the Coreto at the east end of the Cathedral of El Pilar. Contact us via chat. It is important to note that Goya never named the works he produced at Quinta del Sordo; the names were assigned by others after his death. After the restoration of Ferdinand VII, Francisco gave up his residence in Madrid and brought a property on the other side of the river Manzanares, close to the Puente de Segovia. Some have suggested that this eerie assembly is a mockery of the superstitious and overzealous religious rituals of the Inquisition and witch trials that were practiced in 19th century Spain. The Boar Hunt The Parasol c.

Anticipator and forerunner of the imaginative epiphanies of the metaphysical and surrealist trends, Francisco Goya marks the beginning of the experimental psychology connected to the mechanisms of the unconscious, moving away from the classical tradition: his masterful technical mastery not dissimilar to that of Velasquez for the pictorial colorism or the chiaroscuro sector of Rembrandt in his engravings is centered on the expression of human behavior as a terrain abused by the irrational coercion therefore antipodal to Enlightenment ideas of nightmares, monsters, and obsessions. Before we get to the meaning and the analysis of his painting Saturn Devouring His Son , we need to understand how Goya arrived at it. Mixed between genetic links with the chrono-historical motivations of the Enlightenment and a passion for the irrational which has within itself the germ of the romantic ideas, the Spanish artist fully understands his dualistic love between what is mind, reason, intellect, and the fiery sphere of feeling alone, whatever it may be, and so he chooses to keep his foot in both stirrups, straddling a labile border furrow, trying to give life to a communicative, content and thematic whole.

In , Rubens painted Saturn. This article is about the painting by Francisco Goya. We use cookies We use cookies to improve user experience and analyze website traffic. The only other brightness in the picture comes from the white flesh, the red blood of the corpse, and the white knuckles of the larger figure as he digs his fingers into the back of the body. It is said that this motif depicts his criticism of individuals becoming grouped together and taking on an inhuman quality. Incidentally, this work was painted when Goya was 77 years old, but about years before this work, the Dutch painter Rubens painted "Saturn Devouring His Own Son," based on the same folklore. The human head and part of the left arm have already been consumed. Email Required Name Required Website. In Saturn Devouring His Son, dark-themed colours contribute to a melancholy atmosphere. Read more. Size: 10"x20". You might see that the Rubens gave an idea of a mythological scene with a conglomeration of expressions. Retrieved April 4, It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid. All these paintings have a subject matter, blackened and overpowered by the sparkling visual punch and power of expressivity.