Siesmic audio

Our PA Speakers are great siesmic audio church performances whether for church solos, or for church bands, siesmic audio, and even church plays. Our PA Speakers will deliver years of professional performance and crystal pineneedle farms sound, so your music can be heard clearly, loudly and reliably! Not all PA speakers are for the audience. Floor monitors to hear what the audience hears and what you need to hear on stage.

My band may need to upgrade parts of our PA system soon and I was looking at some Seismic Audio speakers. These in particular. We've recently started playing some larger venues and have been asked to play louder and unfortunately our watt Crown amp and the Yamahas don't have any more to give and they distort when we try to turn them up as loud as the venues are asking for. So, I'm thinking of upgrading to the Seismic Audios above if they are a half decent upgrade to the Yamahas and replacing the Crown amp with a Behringer inuke amp. I know opinions on the Behringer amps are mixed but what I'm really interested in is getting some feedback on the Seismic Audio speakers. Are they a decent upgrade to the Yamahas or are they crap? Think about that.

Siesmic audio

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Feels like the PA problems are the symptom and the root cause is the band.

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PA Speakers are an important piece of any PA system. Passive speakers require the use of an external power amplifier Passive speakers require the use of an external power amplifier to push the sound. Powered PA Speakers have the amplifiers built in, negating the need to an external power amplifier. They come in a variety of configurations, including the type of output you desire for your PA speakers.

Siesmic audio

Our PA Speakers are great for church performances whether for church solos, or for church bands, and even church plays. Our PA Speakers will deliver years of professional performance and crystal clear sound, so your music can be heard clearly, loudly and reliably! Not all PA speakers are for the audience. Floor monitors to hear what the audience hears and what you need to hear on stage. Road tested and musician approved, Seismic Audio floor monitors are available in a huge variety of configurations. No PA system is complete without the perfect subwoofer.

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Start new topic. So, I'm thinking of upgrading to the Seismic Audios above if they are a half decent upgrade to the Yamahas and replacing the Crown amp with a Behringer inuke amp. Mutha Goose Posted December 11, Man, I really have to count my blessings. SA-TR10 - 2. Road tested and musician approved, Seismic Audio floor monitors are available in a huge variety of configurations. Or trade in the yammies for a decent set of used tops. You are probably going to be told not enough rig for the gig. It is not a tough place to be in at all. Originally Posted by Mutha Goose. Chrome 2. Sound on the Go. Knowing trucks and what they need to be able to do in order to be useful to you, you would likely think to yourself : These trucks are very inefficient, offer very little performance and won't last very long. If you want more than your band does, the way I see it is you have 3 choices: 1 bite the bullet and buy yourself a PA 2 Acquiesce to your bands' desires and ambitions 3 Quit and find a new band The cheap piezos and platic grill covers over the woofers are tell tale signs of speakers made to LOOK impressive, but not necessarily sound impressive.

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Are they lowballing, which is why your bandmates don't want to spend a nickel because they make next to nothing already? Download the latest version of your prefered browser. My band may need to upgrade parts of our PA system soon and I was looking at some Seismic Audio speakers. So we bought good gear. What style of music, and what do you consider a "small to medium size" bar and club? Unfortunately, you usually only get to find these out once you own them. It hurts human ears and not pleasant but I wonder about that xover and if your sending too many lows to them causing premature distortion. If the tools you're currently using aren't good enough for the job, there are only two good options -- get better tools, or pass on the better jobs. As far as two per side you could stack for now but ideally you want them up high that's another discussion If that cross over is not balanced that is the first thing I'd take out of the equation. If you want more than your band does, the way I see it is you have 3 choices: 1 bite the bullet and buy yourself a PA 2 Acquiesce to your bands' desires and ambitions 3 Quit and find a new band Yamaha clubs will sound better than the A12's and can be found cheap used. We've recently started playing some larger venues and have been asked to play louder and unfortunately our watt Crown amp and the Yamahas don't have any more to give and they distort when we try to turn them up as loud as the venues are asking for.