Uptempo negro

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The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mids. It derived most directly from the rhythm and blues music of the s, [1] which itself developed from earlier blues , the beat-heavy jump blues , boogie woogie , up-tempo jazz , and swing music. It was also influenced by gospel , country and western , and traditional folk music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but it was used by the early 20th century, both to describe a spiritual fervor and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently — but still intermittently — in the late s and s, principally on recordings and in reviews of what became known as "rhythm and blues" music aimed at black audiences. In May , long before the concept of rock and roll had been defined, a Billboard record review described Sister Rosetta Tharpe 's vocals on the upbeat blues song "Rock Me", by Lucky Millinder , as "rock-and-roll spiritual singing".

Uptempo negro

The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early s, it was frequently applied to blues records. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music. By the s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk. It combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music. Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in the United States in , [3] the term had been used in Billboard as early as According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone.

Retrieved January 22, Increasingly, the term "rocking" was used in the records themselves, and by the late s frequently was used to describe the music of performers such as Wynonie Harris whose records reached the uptempo negro of the newly christened "rhythm and blues" charts. July 6, uptempo negro,

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Uptempo negro

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In , promoter and record producer John H. Your local black Forces enthusiast might contain multitudes. The sound of the city: the rise of rock and roll Rev. The Baltimore Sun. Otis used the Cuban instruments claves and maracas on the song. Retrieved June 8, Freed began referring to the rhythm and blues music he played as "rock and roll". June 12, Archived from the original on June 24, One person does buy some. It combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music. Archived from the original on March 3, McGee, Go, Cat, Go! Love for Sale: Pop Music in America. Some jazz bands, such as Count Basie 's, increasingly played rhythmic music that was heavily based on blues riffs.

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Rock and roll music principally emerged from the influences of rhythm and blues music. Retrieved February 22, — via Google Books. May 1, University of Illinois Press. Authority control databases. Archived from the original on June 14, At a glance, GRIP can feel slight next to the rapturous drama of soil and the blissful vignettes of DEACON , which both use negative space and dynamics to ratchet up the intensity of the music. Freed first started playing the music in , and by the phrase "rock and roll" was becoming used much more widely to market the music beyond its initial black audience. Retrieved February 12, Black country bluesmen made raw, heavily amplified boogie records of their own, especially in Memphis, where guitarists like Joe Hill Louis, Willie Johnson with the early Howlin' Wolf band and Pat Hare with Little Junior Parker played driving rhythms and scorching, distorted solos that might be counted the distant ancestors of heavy metal. Archived from the original on September 29, When Alan Freed began referring to rock and roll on mainstream radio in however, "the sexual component had been dialled down enough that it simply became an acceptable term for dancing". ISBN Robert Palmer recalls:. October 11,