20471120

During the 90s and early s it was a powerhouse, 20471120, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks, 20471120. Due to its resurgence in popularity amongst the archive community 20471120 thought it 20471120 to get more information on the brand and its creator Masahiro Nakagawa. We have conducted a short interview with Nakagawa himself to help bridge the gap between the past and the present.

Alluding to the future, as the name indicates the 20th of November, , the founders have taken cues from deconstructionist design paired with a dramatic affinity to fictional worlds. Collaterally to their product design, presentations were understood as performance art. While fashion shows are usually exclusive to industry people, 20 saw them as get-togethers of its devoted community. Thus, tickets were available for purchase, having led to audiences of over fans. In , co-founder Nakagawa felt overwhelmed by the speed of production, identifying the need to break the vicious cycle. Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise. Articles Shop About Contact.

20471120

Two, zero, four, seven, one, one, two, zero. What do these numbers mean? In I thought that there will be a world where diversity and individualism are advancing as fast as computers and mobile progress. I thought that individualism and expression would have become the mainstream of fashion. And when I thought of the brand name, I felt that the numbers of that year represented a future of diversity, individuality, and creativity. The book '' by Masahiro Nakagawa documents the history of while masterfully capturing its essence. He is also diffused into other similar characters, like him with bunny ears, or a panda face. Towards the end of the book is a flowchart depicting a service the brand provided called the Tokyo Recycle Project System, a Margiela-esque process that reconstructs garments and repurposes them into something new. Its playful nature fit perfectly with the aesthetic, becoming synonymous with it in the process. Beyond the wacky concepts and mesmerizing charm, I feel that Mr.

Press Esc to cancel. I know you were influenced by anime, 20471120, but were you influenced by music or movies, can you give me some specific examples from your collections that were directly influenced by anime or other references? 20471120 Published.

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Circus, amusement park, Evangelion Because there are some things that I want to convey. The right page is a huge handmade object placed on the 2nd floor of a shop in Tokyo. These are the faces behind The big mask is a purchasable item in the studio.

20471120

Alluding to the future, as the name indicates the 20th of November, , the founders have taken cues from deconstructionist design paired with a dramatic affinity to fictional worlds. Collaterally to their product design, presentations were understood as performance art. While fashion shows are usually exclusive to industry people, 20 saw them as get-togethers of its devoted community.

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What were your relations like with other designers who were popular amongst the harajuku culture at the time? Collections Featured. Like the story of a mother who entrusts her dreams to her daughter, I entrust our dreams to clothes. Beyond the wacky concepts and mesmerizing charm, I feel that Mr. In , co-founder Nakagawa felt overwhelmed by the speed of production, identifying the need to break the vicious cycle. In I thought that there will be a world where diversity and individualism are advancing as fast as computers and mobile progress. Hyoma was born from the graffiti that I was writing as a student around So Mr. What are some of your favorite more current animes? External Resources. I think the theme would be the same but the approach will be different. The key brand before fragment design. Two, zero, four, seven, one, one, two, zero. Date Published. All you need to know about this legendary skate brand.

During the 90s and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. Due to its resurgence in popularity amongst the archive community we thought it necessary to get more information on the brand and its creator Masahiro Nakagawa. We have conducted a short interview with Nakagawa himself to help bridge the gap between the past and the present.

Young people instinctively choose the future and I think reflected what was popular musically and culturally at the time. I had lots of Designers I admired because they created a new style to change with the times. Throughout your collections you created a lot of headpieces like the lizard one in Skip to content. I also used to love Galaxy Express and Gaki-Deka. Do you think there was a common similarity between these brands and yours that drew young people to them? View fullsize. During the 90s and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. And when I thought of the brand name, I felt that the numbers of that year represented a future of diversity, individuality, and creativity. The key brand before fragment design. Guest User. We will just have to wait until November 20th, to find out. Using record labels as a catalyst for cultural identity. I know you mainly just do visual arts such as paintings currently but do you ever make clothes even for yourself? External Resources.