Alexander mcqueen ss 2019

For spring, Burton and her design staff visited several hallowed shrines alexander mcqueen ss 2019 British paganism, including Silbury Hill and Avebury Stone Circle, sites where humans left indelible marks on nature, and where now, hundreds of years later, the two forces seem indelibly joined. She came away with a new take on her compelling, long-running heroine.

The voices of women deserve a far bigger hearing—in fashion, as in life. Sarah Burton holds that feeling to heart in a way that strives to connect deep history—eons of it—with the present. Tenderness and strength together. She is not one to cut and paste her research. The shape of a Victorian wedding dress, bought at Portobello Market, was one source of the show.

Alexander mcqueen ss 2019

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The shape of a Victorian wedding dress, bought at Portobello Market, was one source of the show.

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Collection Gallery 42 Photos View Gallery. With the European runways now flooded with streetwear — when will it stop? Burton showed her hard-edged shapes with chisel-toed and Chelsea boots and shoes with angular finishing. Coats are always statement making at McQueen and other standouts included camel ones with satin backs and trenches that were hacked in half, one part black and one part khaki. Other pieces were slicked with abstract brush strokes: white embroidery on a black coat, with hanging fringes resembling paint, or blood red on a dark suit. Other suits sparkled with graffiti prints, while a black leather biker combo was adorned with splodges of bright color. Burton may have looked to the past for inspiration, but what showed on the runway Friday night was all about modernity in the eyes of McQueen.

Alexander mcqueen ss 2019

Inside, guests discovered a monolith reproduction of the Neolithic Avebury henge. Less known — and less touristy — than Stonehenge, the Wiltshire circle, with its shorter, rounder stones, is widely thought by archaeologists to reference femininity. It is also considered a place of religious importance by contemporary pagans. In a week when — while designers were celebrating the feminine form in Paris —- the Kavanaugh hearings have been the main talking point in the news and among the fashion pack, one would not be blamed for wondering whether the MeToo movement was, after all, of any real consequence. Best in show: The clothes explored the theme through a historical lens: Burton and her team got out of the studio and into vintage markets to purchase a selection of Victorian wedding gowns and christening tunics, reimagining their broderie anglaise on asymmetrical dresses worn over buster trousers. They were combined with consistent leather pieces in black, white and red, sometimes embroidered with roses. Flowers were actually powerfully present all throughout the collection as prints — inspired, of course, by English gardens — and to counterpoint them was the simple grey and black tailoring. The most magical-infused looks, though, came towards the end: the evening gowns including chiffon, golden lace and leather corsets gave the models undeniable druidess vibes… and managed to somewhat restore our faith in the feminine mystic. Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.

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Sarah Burton holds that feeling to heart in a way that strives to connect deep history—eons of it—with the present. All Rights Reserved. Her work is extraordinary, each piece, remarkably considered and executed. Look 6. So it seems nitpicky to find fault. A pair of Twenties-looking gowns were embroidered with countless replicas of medieval talismans. Powered by WordPress. Load More. In a time when there is so much talk about a return to craft and couture skills, she is making modern fashion to treasure. The idea of expressing feelings and being empowered by emotion and vulnerability. Look 2.

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You are no longer onsite at your organization. Burton laid it flat, covered it with flowers and had it photographed. Load More. For spring, Burton and her design staff visited several hallowed shrines of British paganism, including Silbury Hill and Avebury Stone Circle, sites where humans left indelible marks on nature, and where now, hundreds of years later, the two forces seem indelibly joined. Look 9. Look 7. She came away with a new take on her compelling, long-running heroine. All Rights Reserved. Collection Look 1. Look 5. To find tactile, experiential inspiration for the rest, Burton had led her team out of the enormous new plate-glass offices of Alexander McQueen in London and taken them to see what they saw and felt among the ancient monuments of the English West Country. Collection Gallery 42 Photos View Gallery. Latest Shows Seasons Designers Featured.