Goya self portrait

Self-Portrait with Dr. Arrieta, the last of his many self-portraits, was executed late in his life. On recovering, he presented Arrieta with this painting which shows the physician ministering to his patient.

The artist, with his back to the viewer shows a painting to the minister for his approval perhaps a sketch of the "Sermon of San Bernardino of Siena"? In the Museum of Agen France , there is another self-portrait of the painter posing before a canvas. The work is of the same year as the previous one, when the painter was In the Museum of Fine Arts in Boston, there is a sketch which only reveals the bust of the artist wearing a wig. In the period he painted the small self-portrait now in the Academia de San Fernando. The whole body is seen and the painter is wearing a strange hat which served as a support for candles enabling him to work at night. There are another two self portraits in the Metropolitan Museum of Art in New York, the first with tricorne , done in brush and sepia Lehman legacy, approx.

Goya self portrait

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze. The head is the only carefully resolved part of the sheet, his garments are only lightly indicated. The purpose of the drawing is not known. It might have been made purely through self-reflection and his desire to capture his physical likeness reflecting his psychological state, or possibly as a sheet to give to a friend or even, as an idea to later develop into a print. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. This artwork is meant to be viewed from right to left. Scroll left to view more.

The words at the bottom read in translation, Goya gives thanks goya self portrait his friend Arrieta for the expert care with which he saved his life from an acute and dangerous illness which he suffered at the close of the year when he was seventy-three years old. Madrid, The purpose of the drawing is not known.

The work is an oil on canvas, painted in , and is currently held in the Minneapolis Institute of Art , Minnesota. Many scholars have seen religious themes in the work. Other interpretations compare and contrast the painting with Goya's series of Black Paintings , contextualizing the work within his career at large. In , Goya developed a sudden, serious illness which included dizziness, weakness, delirium, sickness, abdominal pain, deafness, and partial blindness. Various diagnoses of this illness have been offered: syphilis , lead poisoning , cerebrovascular disease , acute infection of the central nervous system, and the rare condition of Vogt-Koyanagi-Harada syndrome —temporary inflammation of the uveal tract associated with permanent deafness. In Goya had a second serious illness.

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze.

Goya self portrait

The tilt of the head and concentrated expression of the eyes suggest that the artist has portrayed himself looking in a mirror or at the easel on which he is painting. Of the numerous self-portraits that Goya made during the course of his life, this painting, made when he was 69 years old, is perhaps the most intimate, with the exception of the likeness on his sick bed, frail and suffering, made five years later. A Self-portrait in the Prado, signed and bearing the same date discovered during recent cleaning , is similar in style and general appearance but there are slight variations in the pose and costume and in the expression of the face, which seems to reflect a more melancholy mood. The portrait remained in Goya's possession until his death, when it passed to his son. He presented it to the Academy in when the debt for the equestrian portrait of Ferdinand VII, commissioned by the Academy and painted by Goya in , was finally liquidated. Because of the unusual position of the head it was once suggested that this was a sketch for the Self-portrait with Dr Arrieta but the direction of the head is different and this is the face of a year-old, looking weary perhaps but with no sign of the ravages of illness that were to transform it.

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New York, , pp. Does something look wrong with this image? It is very similar to the portrait in The Museo del Prado and was painted around the same period. The painter already appears to have the ability to transmit a psychological vision of himself as a young rebel, bohemian indicated by the long hair , and ambitious. Thus, the work was a present for Arrieta, painted in gratitude for the gift of life. In the period he painted the small self-portrait now in the Academia de San Fernando. By , when exhibited in Madrid, it was in the collection of Mr Martinez of Madrid. Resources for Research The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Basel: Karger, Arrieta and Goya are depicted naturalistically in a dim light, with the red bed-sheet at the bottom of the painting bringing warmth to the setting.

This self-portrait, in addition to its simply resplendent beauty, is a clear and articulate commentary on the Romantic artist.

An inscription below the figures explains why Goya made the picture:. Englewood Cliffs, N. Jonathan Brown, Lisa A. Februar bis 5. Country Spain. There are another two self portraits in the Metropolitan Museum of Art in New York, the first with tricorne , done in brush and sepia Lehman legacy, approx. The first self-portrait of Goya that is known of now in a private collection in Madrid was painted after his return from Italy. A Spectrum book. Use your arrow keys to navigate the tabs below, and your tab key to choose an item. Thus, the work was a present for Arrieta, painted in gratitude for the gift of life.