Guy lodge guardian
Streaming: the best films about drinking.
Going for gold: where to stream the Oscar contenders. Published: 26 Mar Streaming: the best films about dogs. Our canine companions have long been an inspiration to auteurs and sentimental film-makers alike. Published: 27 Mar Come home to a Cannes classic.
Guy lodge guardian
Streaming: The Holdovers and the best films about teachers. Published: 24 Feb Streaming: the best films about artists. Published: 10 Feb Streaming: the best films about drinking. Published: 6 Jan Streaming: the best party movies. Published: 30 Dec Streaming: Past Lives and the best immigrant stories on film. Published: 9 Dec Streaming: the best Halloweens on screen. Published: 28 Oct Published: 7 Oct
Streaming: the best Sidney Poitier films. Published: 1 Jul Streaming: The Father and other films about dementia.
After working in screenwriting and script editing, he started writing reviews as a side hustle before it snowballed into a full-time career as a critic. He has been a critic at Variety since and a columnist at The Observer and The Guardian newspapers since ; with his colleague Catherine Bray, he founded the independent review site Film of the Week in When not watching or writing about films, he is making slow progress on his first novel. Why does film criticism matter in ? The same reason it has always mattered: to separate films from their marketing, to guide viewers toward asserting their own point of view, to encourage a spirit of argument in an industry reliant on yes-men. At a time when studios are more committed than ever to manufacturing identikit product, critics can draw attention to more inventive, less exposed alternatives; amid the impersonal murk of algorithms and AI, they stand for the value of individual opinion.
Family entertainment for all the world markets. There are no American awards? Sometimes it takes a foreigner to forge true Americana, even in the forbidding Reaganite environment of the mids. Cannes juries can be as capable of worthy-minded myopia as Academy award voters, yet this is one year they called it just right. For dessicated protagonist Travis so searchingly played by the great Harry Dean Stanton , it takes him in both directions: reunited with his son after going walkabout in the Lone Star desert, cueing a search for his similarly unmoored wife, he can only locate his family home by leaving it. Paris, Texas is a road movie: that most essentially American of genres, so beloved by Wenders that he named his first production company after it, midway through his celebrated road-movie trilogy of Alice in the Cities, The Wrong Move and Kings of the Road. Nostalgic for the stability and rugged individuality of an old west that has since been irrevocably cluttered with the billboards, petrol stations and blinking identikit motels of modern living, Travis chases some semblance of the American dream, not for himself but for a son he barely knows — retreating back into the wilderness when it seems his work is done. Instead of ruffled bloomers, she wears a hot-pink angora jumper; instead of a saloon, she plies her trade in a dingy Houston peepshow booth. These few minutes would constitute a complete, astonishing short on their own, yet they merely mark the climax of a film with reckless beauty to burn even in its incidental passages.
Guy lodge guardian
He followed it up with The Lighthouse , a surrealist survival nightmare, soaked in sea salt and maritime slang, jumbling toxic masculinity, fart jokes and octopus-punching. This is the kind of film-making upon which auteurist cults are built; but it does not, conventionally, inspire Hollywood studios to write the director in question a fat cheque for a blockbuster. And yet. A pounding, weather-lashed, brutal Viking revenge tale rooted in the Scandinavian folk legend of Amleth, it significantly ups the action ante for a director whose previous most elaborate set piece in that regard was a homoerotic wrestling scene between two crazed lighthouse-keepers played by Robert Pattinson and Willem Dafoe. A recent New Yorker profile of Eggers detailed what appeared to be a tough post-production process, with some resistant feedback from the money men and test audiences. It was an arduous shoot. I choose them because these are the environments that my films take place in. The editing process, meanwhile, brought its own challenges. But more than that, this is the film I wanted to make. The studio pressure made the film what I originally pitched to them, which was the most entertaining Robert Eggers movie I could make.
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Published: 3 Sep Published: 7 Nov Going for gold: where to stream the Oscar contenders. A new-to-streaming documentary about the Exorcist director prompts a look through his fascinating back catalogue. Streaming: the best home invasion films. Streaming: Men and the best British folk horror films. Guy Lodge. Streaming: Morbius and the best films about modern-day vampires. Streaming: the best werewolf films. Streaming: the best films about the atomic bomb. As Halloween beckons, summon up favourite child-friendly frighteners such as The Witches, Beetlejuice and Coraline.
The multi-hyphenate talks about the rerelease of his groundbreaking drama Shortbus and the changes in how we view sex in the past 15 years. Published: 25 Jan Guy Lodge's streaming and DVDs.
Published: 8 Jul Streaming: Return to Seoul and the best films about homecoming. Published: 27 Jun At a time when studios are more committed than ever to manufacturing identikit product, critics can draw attention to more inventive, less exposed alternatives; amid the impersonal murk of algorithms and AI, they stand for the value of individual opinion. Published: 6 Jan Published: 29 Oct Streaming: the best films set on aeroplanes. Published: 14 Jan Published: 28 Aug Published: 8 Apr Streaming: the best Halloween films for kids. Streaming: the best films about dogs.
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