Japanese pottery marks satsuma

Listed are also some modern Japanese porcelain marks.

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as "Dai Nippon Satsuma". You may also find that there are no main markings, only Japanese numbers.

Japanese pottery marks satsuma

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware. From around the s to the early s more than artist at least twenty larger studios or factories were producing "Satsuma" wares of which much were of low quality and destined for the European and American export markets. Most of the marks below will detail this latter wares since this is what we see most of. At the same time, other artists were producing exquisite wares of the highest quality. There were many masterpieces created during its heyday and several studios have created eternal fame for their names with these magnificent wares. Most high quality export 'Satsuma' is easily recognized by its finely crackled glaze and by the fact that its yellowish earthenware body does not "ring" when tapped. The production soon spread to several cities such as Kyoto, Tokyo, Nagoya, Yokohama and elsewhere throughout Japan, from the Meiji period up until today.

To check our stock of satsuma ware click here. Greetings, Martin. Generic Satsuma marks refer to marks added to a Japanese ceramic piece to indicate a style in general instead being the name of a specific company, studio or any individual artist.

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing.

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing. To check our stock of satsuma ware click here. Marks are most often hand painted over glaze and may include the artist as well as the Satsuma mark along with other details. Impressed and incised marks are far less common. Unmarked pieces, or those simply marked Satsuma are also very common.

Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as "Dai Nippon Satsuma". You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set.

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Is this a Kozan mark? From a tea service, late Meiji or Taisho - click the mark to see the full item. It is not difficult to suggest a meaning of the mark as that one of the vases should be shown on the right hand side. Likely date ss. A comment on Kyoto or Awata wares as compared to Satsuma ware is that pieces manufactured in Awata near Kyoto, after the Edo period, are all called Kyoto Satsuma. You send them images and details of the piece and they will provide an age and value. Mark from a late Meiji vase in the Kytoto style. Meiji 19th century. I believe it is Meinji period. The thing to keep in mind with Yasuda is that apart from possibly Yabu Meizan whose output maintained a very high standard, most of the producers varied in quality, some great some so so. I attempted to look through Kanji lists, but I am just very confused. Mark from a Meiji period vase painted with Buddhist precious objects and using 'imperial blue' enamel. The lower cartouche is: Satsuma, Hododa. My second one Does anyone recognize these markings. Kinkozan tsukuru.

Collecting Japanese satsuma ware is accessible to many, but starting a collection can be daunting.

Mark: Shimazu family crest above a cartouche, reading: Satsuma Hekizan. There are numerous different Hozan marks on Satsuma ware, most are different decorators or kilns. There is also an impressed mark, unfortunately it is illegible. What price is it sold more or less? The term 'China' here is a misnomer as the vase is earthenware. I found a tea set with these markings at a garage sale recently and am having trouble finding anything with the same characters. Early Taisho period. Cartouche reads Uchida. The Taizan kiln appears to have closed around Date: Meiji period, A renowned and award winning artist often working in the kacho-ga style as here. Satsuma Sessan Sei. This Bizan is one of several workshops working for the export industry of the time. Bizan , Taisho period Bowl dated Kyoto