Top 100 of the 70s

The Billboard Hot is the main song chart of the American music industry and is updated every week by the Billboard magazine.

Shaking off the naturalism, daisy chains, and acid tabs of the s was easier than expected. The s unfurled as a paradox of both striking diversity and remarkable coherence: From high-concept prog nerds and high-octane guitar solo to high-heeled glam-rockers and rough-and-ready punks, the decade saw the rise and dominance of the album-as-unified-statement. Now, in , Pitchfork takes the opportunity to present this list of its favorite albums of the s. Not so for Mr. Young, who was just hitting his stride as the decade turned over, kicking off a run of 11 great albums in 10 years with After the Gold Rush. Holed up in his Topanga Canyon home writing a soundtrack for a never-made Dean Stockwell—scripted film, Young invited his friends to join him on alien-abduction ballads, preachy Skynyrd-provoking jams, and lovesick nocturnal country-blues. Unlike so many of his sun-dazed contemporaries, Young had the right kind of eyes to see the high-water mark, and After the Gold Rush is the departure point on his essential decade-long journey away from the fallout of the s.

Top 100 of the 70s

The s was a fantastic decade for music, with so many different genres setting the charts alight. We may have mourned the demise of The Beatles in , but the decade also brought glam rock, disco, punk, new wave, funk and more. Whatever kind of music you preferred, there was something for everybody, and everyone looked fabulous all the while. We've picked ultimate key tracks that summed up the s. Is your favourite in there? Read more: Roxy Music's 10 greatest ever songs. Bryan Ferry originally wrote this for his solo album In Your Mind and his follow-up The Bride Stripped Bare , but it was finally included on the next Roxy collection. Despite not reaching number one, it was one of the ten best-selling singles of in the UK. As ever, Bryan Ferry oozed cool with this song, while bridging the gap between their glam rock past and new wave future. Despite being known as a schmaltzy boyband, The Osmonds released this surprisingly brilliant hard rock track in But now, having been successful, we wanted to freak out and make our own music. The record company were initially sceptical, but relented after it was a hit in the UK, where it was ironically their breakthrough song, but was followed up by more pop ballads. Donny did not have a line in the song, as his voice was in the middle of changing due to puberty.

Thirsty Ear. The ultimate happy anthem?

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The s was a fantastic decade for music, with so many different genres setting the charts alight. We may have mourned the demise of The Beatles in , but the decade also brought glam rock, disco, punk, new wave, funk and more. Whatever kind of music you preferred, there was something for everybody, and everyone looked fabulous all the while. We've picked ultimate key tracks that summed up the s. Is your favourite in there? Read more: Roxy Music's 10 greatest ever songs. Bryan Ferry originally wrote this for his solo album In Your Mind and his follow-up The Bride Stripped Bare , but it was finally included on the next Roxy collection. Despite not reaching number one, it was one of the ten best-selling singles of in the UK.

Top 100 of the 70s

This article is about the American Billboard Hot chart held during the s. The Billboard Hot chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations. The following artists were featured in top of the chart for the highest total number of weeks during the s.

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KC and the Sunshine Band. With at least four jaw-dropping albums in just a year span, his records split votes faster than Ralph Nader. And there, in the musty air of the old hotel I called home, it became clear there were hundreds of musical possibilities that had never crossed my mind. More playful than IV but still bubbling with the arcane Middle-Earth folklore that irritated critics, Houses of the Holy is both artistically sophisticated and cloyingly juvenile. Ege Bamyasi proved that Terry Riley, La Monte Young, and the Velvet Underground were not only revolutionary in their own rights, but could inspire music equally as unprecedented and alluring. Critics and fans responded badly, and that Wire shared a label with Pink Floyd only added to their infamy. Harry Chapin - Cats in the Cradle. It proved to be a big comeback for Campbell, and gave him one of the decade's most enduring country hits. The following day, Pete Shelley wrote the lyrics, in a van outside a post office, with the music following soon after. The Man-Machine remains the most obvious Kraftwerk record: robots making music about robots making music. Simon has said in the past that the song refers to three men, but only one of whom she has named publicly is actor Warren Beatty. Commodores - Easy Live. He was in love with a woman named Silvia Pandolfi, but she became engaged to another man. Private Stock.

The Billboard Hot is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.

The Osmonds - Crazy Horses. Despite never being a number one single, it has become Neil's signature song, and is a guaranteed crowd pleaser, from weddings to sports events. By their third album, Wire scarcely resembled the band that a few years earlier had released Pink Flag. Read more: The Story of One of Slade's first singles, it was written by Noddy Holder and Jim Lea in half an hour, beginning a successful songwriting partnership. According to Bowie, Ziggy is not the Starman but merely his earthly messenger. More cohesive than the experiments and soundtracks that preceded it, yet less showy and plastic than the hits that followed, Meddle is an enigma. It has since taken on other meanings for people who have overcome any difficult situation, but writer Dino Fekaris revealed it was about getting fired by Motown Records, where he was a staff writer. Even with the strange breakdown in the middle of the track, you can't argue that this song has something truly special and timeless about it. Deeply and fervently preoccupied with revolutionizing both the political and artistic standards of their time, the Clash opted to dedicate themselves to cross-breeding an entirely new kind of artist-outlaw, as violent as it was cerebral.